Player Beats Fallout 4 Without Killing Anyone 

expects you to commit murder. While you can occasionally avoid killing others, the wasteland is ruthless and demands violence. That’s how Bethesda intended the game to be played, anyway—but clever players are finding ways around it.

game director. Howard was asked about what playstyles the game would support—traditionally,

games let players approach problems in a variety of ways, many of which do not require killing anyone.

“I can’t tell you that you can play the whole game without violence – that’s not necessarily a goal of ours,” Howard told

where the story railroads the player into killing certain key characters. You’d think, then, that it would be impossible to finish the game without having your kill counter show a few bodies here and there. But you’d be wrong.

, dedicated players have been working tirelessly to find a way to beat the game with zero kills. One particular player, Kyle Hinckley, stands above the rest, though: not only has he completed

with zero kills, he managed to do so on Survival, the hardest mode available. And he documented the entire thing on video, to boot, so his zero kill claim is entirely verifiable. Via Hinckley’s “The Weirdist” channel, here’s the first episode of his no-kill run of

“The thing about Todd Howard is, even he doesn’t know what his games are capable of,” Hinckley told me in an interview.

with zero kills wasn’t easy. “My first attempt was dismal,” Hinckley admitted. “I got discouraged immediately on the first quest, which insists all the raiders in [one of the early missions] die.” Hinckley was stubborn, though, and he kept trying. He eventually found out that the raiders on that mission could actually be left alone, and this revelation allowed him to move forward. Unfortunately, on that particular run, he poured 75 hours into a playthrough only to find out that he backed the wrong faction. It was a mistake that cost him six lives, which is no good for a zero kill run.

So he started a new character. This one would be called Dizzy, and Hinckley was determined to make sure she was incapable of killing even lowly Radroaches.

Dizzy is built for mind games. Think of her as the Kilgrave of the Commonwealth. With a high charisma stat, Dizzy can convince humans and Deathclaws alike to calm down. Better yet, Dizzy eventually gains the power to turn people against each other in a murderous rage, all without having to fire a single shot.

Oh, just because this is a no-kill run doesn’t necessarily mean no blood will be spilled. People do die in Hinckley’s playthrough of

. He just finds ways to make the game blame other people, while retaining this gem:

“It’s not about whether or not I’m against violence, because the game doesn’t give you like

abilities to avoid violence completely,” Hinckley said in a video. “All that matters to us is [that the game doesn’t count any kills.]...Robots, turrets, legendary enemies, synths, all this shit. Zeroes. All the way down the line.

“That’s what we want. That’s all we want. If we can do that, that’s a pretty crazy achievement. That’s something that most people have already dismissed as being impossible.”

a pacifist run, given how many bodies pile up by the time the credits roll—Kyle Hinckley’s playthrough of

is still a fascinating look at the ways players bend and break games to do their bidding.

At first, the strategies for pacifism are simple enough. He exits the vault without killing anything just by trapping Radroaches in certain areas of the map, where they can no longer follow him. Later, he kites enemies straight into other NPCs, so they start fights with each other.

The start is easy. Everything that comes afterward, though, is a trip. Most of the XP granted in

comes from combat. That’s not an option for Hinckley, though, so he starts the game out by focusing on settlements. He builds the same structure over and over again, dozens of times, to grind out enough experience to get to level ten—which is high enough to have some of the basic, necessary perks required for a no-kill run. This is as excruciating as it sounds, especially when you consider what little XP building stuff grants you in the first place.

The entire thing is a test of patience. The run makes ample use of save scumming, that is, the practice of saving before taking an important action and then reloading if it fails.

has a perk called “Wasteland Whisperer” which lets the player pacify enemies—instead of attacking the player, the enemy will simply put their hands up. However, having the perk doesn’t guarantee it’ll work. It just gives you a chance of calming down your enemies, and Hinckley can’t rely on a dice roll to complete the game with zero kills. So he reloads and tries, tries again, until it actually goes through.

It’s a brute-force method, yes. Like I said earlier,

doesn’t want you to play the game this way, and all of its mechanics ensure that, at some point during a normal playthrough, you’ll have to lodge bullets into someone’s noggin. Even if you take the so-called peaceful perks.

So Hinckley gets creative. At one point during his playthrough, you can watch him repeatedly pickpocket a NPC called Travis—but he’s not trying to steal from Travis. Rather, he’s trying to give that character better gear, so that Travis might have a chance of killing a particularly troubling enemy. Except Hinckley is repeatedly caught attempting this trick, and it’s hilarious to watch Travis, an otherwise friendly NPC, turn on Hinckley—Hinckley is only trying to help!

Sometimes, though, forcing a no-kill playthrough makes

where the player must save a companion, Nick Valentine, from a vault. Nick Valentine goes into the vault searching for a missing dame, only to find out she had actually run off with a mobster type, Skinny Malone. At the end of this level, the player has a confrontation with both Malone and the dame. You have a few options. You can attack everyone. You can convince the damsel to turn on her lover. Or, you can convince the damsel to leave without having to hurt anybody.

In a no-kill playthrough, the last option seems like the most reasonable one to pick, right? As Hinckley progresses through his playthrough, though, it becomes obvious that the game literally doesn’t know how to deal with a player who pacifies everyone into submission. So, he starts experiencing weird audio problems related to that peaceful mechanic. More notably, though, when he convinces the dame to leave, the game bizarrely spawns an enemy where it shouldn’t, and this forces the peaceful encounter to become violent once more. Normally, this wrinkle can be dealt with fine—Hinckley can simply pacify the characters again. The problem is, after calming everyone down, the game borks itself. Characters won’t continue their dialogue like they’re supposed to at that point. Nick Valentine refuses to actually leave the vault, even if there’s nothing stopping him from doing so. Hinckley becomes so desperate after this happens, he tries to physically push Nick out of the vault by force. It doesn’t work.

rare “talking your way out of it” options broke down because the player tried going through the entire game in a peaceful manner. The only way Hinckley could actually complete the quest was by picking the violent option, thereby starting a firefight that he couldn’t actually participate in. Worse, he had to stop his own companion from taking shots at anyone, because companion kills are logged as player kills. It took a ton of tries, but eventually the AI found a way to kill itself without any intervention. It’s amazing.

where the player has to kill a character known as Kellogg, the player’s arch-nemesis. Hinckley has to come up with a way to finish the game without personally killing the game’s main villain, absurdly enough.

Hinckley, miraculously, still works through it. He does so by luring Kellogg into a series of mines—not to kill Kellogg, but rather, to get his health down enough. Once past a certain threshold, however, Kellogg will start trying to heal himself (the bastard!). To stop that, Hinckley pops a cryo mine, a weapon that freezes enemies in place. This, in turn, gives the other enemies in the room, which Hinckley has brainwashed to fight for him, a chance to kill Kellogg where he stands. What you have to understand here is, the chances of pulling his off without a hitch—getting all the characters in the right place, having the pacify/incite mechanics pop without fail, and then having the AI successfully kill someone despite their terrible pathing and bad aim—is extremely difficult. The fight took five hours.

“THANK FUCK,” Hinckley exclaims at the end of the ordeal. “What a shit show,” he proclaims.

“I’d love to ask [Todd Howard why pacifism is so difficult in this

“I’m a little disappointed in the lack of diplomatic solutions in this game, it’s a lonely departure from the rest of the

series,” Hinckley said. “My version of pacifism isn’t really diplomatic, it’s more exploitative of the game mechanics to achieve a zero-kill record. In other [

] games, you had a lot of alternatives for bypassing the combat, whether it was with sneaking, speech checks, or a back door opened with lockpicking and hacking. In fact, in previous games (at least 3 and NV), your companion kills didn’t count towards your record either.”

Hinckley says that he felt sad when he found out how much

focused on combat—it made him feel like the developers forgot about about players like him, who have stuck with the series for a long time. In a way, Hinckley saw his no-kill playthrough as a way of showing the world that he refuses to be forgotten.

Hinckley’s run isn’t perfect. Already, other players are theorycrafting better, less painful methods of dealing with certain portions of the game. But this is it for Hinckley. While his time could be improved, he can’t actually do better than the zero kills he already achieved.

“I wish I could’ve brought myself to use a mod to simply bypass the reload-reload-reload quality of much of the videos,” Hinckley remarked. “But, that would have been seen as cheating, and I would rather torture than cheat.”

“It was a little aggravating to reload as many as twenty or thirty times on a quest completion, but the fun came from putting problems behind me, rather than solving them outright,” Hinckley said. “However, the sense of relief that I got from the synth killing Kellogg will never be matched by another struggle with this game. Knowing how to beat a game without doing personal damage goes a long, long way toward understanding what lies under the veneer of combat that

You can reach the author of this post at patricia@kotaku.com, or on Twitter at @xpatriciah.

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