Production
The film was shot in South Western Pennsylvania, taking advantage of the state's tax incentives for film productions as well as the topographical and architectural versatility of the Pittsburgh Metro area. Filming began on May 11, 2008 in Armstrong County along the Route 28 corridor, in locations including Sprankle's Market in Kittanning, the Ford City police station, and the exterior of the Logansport Mine in Bethel.[2] Kittanning served as main street in the film's fictional town of Harmony. The production spent 13 days filming scenes in the Tour-Ed Mines in the Pittsburgh suburb of Tarentum, a mine that has been out of production since the 1960s and now operates as a museum.[3]
The inside of Valliant's Diner in Ross Township was used as a location for one scene,[4] and a house on Hulton Road in Oakmont, a suburb of Pittsburgh, was also used as a location.[5]
The film was shot entirely digitally in 4K resolution. The filmmakers used the Red One from Red Digital Cinema Camera Company, and the SI-2K Digital Cinema Camera by Silicon Imaging as digital cameras. Max Penner, the film’s stereographer, found these lighter and smaller cameras easier to use.[6]
The film was shot in South Western Pennsylvania, taking advantage of the state's tax incentives for film productions as well as the topographical and architectural versatility of the Pittsburgh Metro area. Filming began on May 11, 2008 in Armstrong County along the Route 28 corridor, in locations including Sprankle's Market in Kittanning, the Ford City police station, and the exterior of the Logansport Mine in Bethel.[2] Kittanning served as main street in the film's fictional town of Harmony. The production spent 13 days filming scenes in the Tour-Ed Mines in the Pittsburgh suburb of Tarentum, a mine that has been out of production since the 1960s and now operates as a museum.[3]
The inside of Valliant's Diner in Ross Township was used as a location for one scene,[4] and a house on Hulton Road in Oakmont, a suburb of Pittsburgh, was also used as a location.[5]
The film was shot entirely digitally in 4K resolution. The filmmakers used the Red One from Red Digital Cinema Camera Company, and the SI-2K Digital Cinema Camera by Silicon Imaging as digital cameras. Max Penner, the film’s stereographer, found these lighter and smaller cameras easier to use.[6]
