Walt Disney Links - Getting Goofy: Disney alum brings an old friend to Lincoln 

We hope you have enjoyed your complimentary access for the month.

Now it's time to activate or sign up for unlimited access!

We have not been able to find your subscription.

You have article(s) left to view this month

Click on the button below to set up your account or log in if you already have one.

Purchase a digital-only subscription now for unlimited online access to local news and information.

Haley: N Korea \'brings us closer to war\' the U.S. doesn\'t seek

"The Goofy Movie," Kevin Lima\'s 1995 Disney directing debut, is being world-premiered this weekend at the second Lincoln Film Festival in Lincoln in a freshly remastered digital edition. Lima will be on hand to introduce the showings and answer audience questions.

Kevin Lima went all goofy during the production 27 years ago of "A Goofy Movie," the Disney film that marked his animation directing debut.

As far as they know, Kevin Lima and Beason native Brenda Chapman are the only married directing team in current animation annals. They\'ll both be at this weekend\'s Lincoln Film Festival at the Lincoln Grand 8 Theater.

Kevin Lima, directing Amy Adams on the set of 2007\'s Disney hit, "Enchanted."

Film director Kevin Lima speaks prior to the Japan premiere for Walt Disney\'s latest film "Enchanted" in Tokyo, Japan, on March 3, 2008. 

LINCOLN — As a 5-year-old kid, the future director of Disney\'s "A Goofy Movie," "Tarzan," "102 Dalmatians" and "Enchanted," remembers being taken to see "The Jungle Book."

"My mom tells me that I pointed up at the screen and said to her, \'I\'m gonna make them when I grow I up!\'"

Vows made at age 5 tend to, at best, evolve over time, or, at worst, get forgotten quickly.

But Kevin Lima\'s finger-pointing promise was not one to be taken lightly. 

"I\'ve loved animation my entire life ... from the earliest time I remember, I was drawing and wanting to be a Disney animator," he says.

Not only did he grow up to "make them," and then some, he married a soul-mate with the same passion: Brenda Chapman, the Logan County native whose most recent credit was Disney\'s "Brave," for which she won an Oscar. 

Today, they are the animation world\'s only married directing couple, each with separate careers, but both with the same lifelong love for their chosen art form.

Thanks to Chapman\'s deep Logan County roots (raised in Beason, alum of Lincoln Community High School), she helped her best LCHS buddy, David G. Lanterman, found the first Lincoln Film Festival a year ago.

Lanterman is the owner of the Lincoln Grand 8 Theatre in downtown Lincoln, site of the festival, which is returning for seconds this weekend (see accompanying story for highlights).

And Chapman and Lima are back in town showing/discussing their work: she, with her 1998 DreamWorks feature, "The Prince of Egypt," for which she became the first woman director of an animated feature; and he, with the world premiere of the newly remastered version of his "A Goofy Movie," the 1995 Disney feature that marked his debut at the helm of an animated film.

One of the festival highlights will be Friday night\'s opening gala with Chapman and Lima, during which Chapman\'s new animated project will be given what\'s billed as a "work-in-progress sneak preview."

The various productions stages will be explored with Chapman and her visiting production team, all of whom come packing A-list animation titles on their resumes.

Lima thinks it may be the first time an animated feature (still untitled, still under wraps, story-wise) has ever been unveiled to the public this early on in its production.

"Many folks are always asking Brenda what she does and she thought that this year she\'d give a kind of hands-on feel for what it is to make an animated film," Lima says.

Though he\'ll be present at what he calls a "master class" in filmmaking, "I\'m not involved with the film at all ... I\'m the supportive husband who happens to have been through the same process." 

Lima describes the film as an independent production, being made outside the studio channels that have dominated the careers of both himself and his wife.

All he can say is that "it a musical adventure, a highly professional endeavor. Brenda is loved within her community and that community of high-end artists has come together to pull this off."

Despite its indie nature, "this isn\'t Brenda in her garage doing drawings to sell to a movie studio ... it\'s her pulling together a whole team of professionals, with the work being done using the model of a digital studio."

That model, though based in a studio in Glendale, Calif., means that the production work is being done by artists spread across the country, "from Canada to Vermont to Massachusetts."

Which begs the question: Why haven\'t Chapman and Lima ever joined forces on a project?

"We\'ve basically spent all of our professional lives purposely NOT working together," laughs Lima, who crossed paths with his future mate while they were both students at the California Institute of Arts.

"We were in two different grades, we had two different sets of friends and we made an effort to hang onto our individual paths," he adds.

"We often have joked about the fact that, for me, it was love at first sight the first time I met her, and she doesn\'t remember me at all. After that, it took me a couple months to ask her out, and then we dated for four years through school."

Their marriage came after both were working, separately, at Disney.

Though Lima\'s career there involved working in various animation/story capacities on high-end films like "Oliver & Company," "The Little Mermaid," "Beauty and the Beast" and "Aladdin," he longed to move away from the animator\'s desk.

"I found myself unable to sit behind a desk for eight hours, which is what animating means," Lima says.

Thanks to his youthful experience working in professional puppetry, which preceded his CalArts schooling, he developed an urge to direct ... an opportunity that came along in 1995, when he was offered what was intended as a made-for-TV project at Disney, "A Goofy Movie."

But the film was deemed good enough for a theatrical release and went on to a moderate box office success and gave Lima the passport to the thing he most wanted to do.

Next up: co-directing the studio\'s big summer animation release, "Tarzan," one of whose characters (mother gorilla Kala) was voiced by actress Glenn Close.

"You direct more like a live-action director," she told Lima. "Have you ever though about doing something other than animation movies?"

Him: "I\'d never touched a live-action camera ..."

Within a year or two, though, Lima was directing the live-action Close in "102 Dalmatians," followed in 2007 by the crown jewel in his directing canon, "Enchanted," with Amy Adams.

For the second Lincoln Film Festival, Lima is bringing along the one that started it all, "A Goofy Movie," in a newly remastered copy being shown for the first time to an audience.

The restoration was triggered when Lima attended a revival of the film in Los Angeles several months ago.

"I went to see it and I was appalled at the quality," he recalls. That shocking state of the film (faded, speckled, etc.) motivated Lima to ask the studio if a DCP (digital cinema package) could be created for the film.

His wish, their command: "You are going to see it for the first time since its 1995 release in a pristine, beautifully restored version," promises Lima.

What he also learned from that recent L.A. revival is that "A Goofy Movie" has evolved over time into a bona fide cult movie for the generation weaned on it.

"Oddly enough, it seems to have become a cult classic among those kids, who are now in their mid 20s and early 30s, and who watched it over and over on VHS and DVD," says Lima. 

At the showings, "they were communicating with the film like they were watching \'The Rocky Horror Picture Show,\' coming in costume and speaking the lines along with the characters on the screen. It made me realize that this movie has touched a generation of moviegoers in a way we didn\'t see coming. It\'s very surprising, their dedication to it."

Meanwhile, you may be reading it here first: After three decades of working separate career paths, Lima and Chapman are finally collaborating full-force on a new project.

He\'ll only describe it as "a \'Who Framed Roger Rabbit?\' for a new generation."

Oh, and one more thing: "For the first time, it\'s going to combine every style of animation that\'s ever been done ... in the whole history of the movies."

LINCOLN — Following are some of the highlights from the sophomore edition of the Lincoln Fil…

Following are Kevin Lima\'s Disney studio credits in the field of both animation and live action:

"The Rescuers Down Under" (1990): visual development artist

"The Little Mermaid" (1989): character designer

"Oliver & Company" (1988): character animator

"The  Brave Little Toaster" (1987): character designer

Watch this discussion. Stop watching this discussion.

"Today, they are the animation world\'s only married directing couple"Might I direct your attention to a couple named Craig and Lauren?

Keep it Clean. Please avoid obscene, vulgar, lewd, racist or sexually-oriented language.

Don't Threaten. Threats of harming another person will not be tolerated.

Be Truthful. Don't knowingly lie about anyone or anything.

Be Nice. No racism, sexism or any sort of -ism that is degrading to another person.

Be Proactive. Use the 'Report' link on each comment to let us know of abusive posts.

Share with Us. We'd love to hear eyewitness accounts, the history behind an article.

Powered by BLOX Content Management System from TownNews.com.