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LeoniNorris said:
Measures and Scales - Jill Barber, because it's very sensual but also emotionally conflicted, which is pretty much them.
Return to OZ - Scissor Sisters, because that's about the gritty reality (BSG 03 to original BSG, as a comparison) and Puckleberry is about reality, and I feel this obsession with Finchel is about illusions.
Different Kind Of Knight - Christian Kane, because it's very sexy with an edge.
On the Hood - Matt Mays & El Torpedo
When You're Home - In The Heights. Puck and Rachel are so alike with their slight emotional stunted-ness, that it seems like they'd be the only ones they could talk to - Jesse St. James is driven and kinda ruthless, like Rachel, but they're aiming for the same goal, so they can't work together. Puck and Rachel want different things, so they understand each other but aren't competing. So Rachel could reveal being as unsure as Nina.
The Unwanted - Tin Man soundtrack. They are both people who hate being dependent on others, but want to be popular.
Headturner - Joss Stone. I like the idea of exploring the idea of getting them attached, and being jealous.
Boom Dah - Arianna Gillis.
Monday Morning - Melanie Fiona.
The Internet Is For Porn. Avenue Q is totally a musical Puck could get behind.
It's Over Now - Kristina Train. For breakup sex until they are back together again - I'm waiting faithfully.
Call Me - Shinedown. Because it's *!@$-ing Shinedown.
Howl - Florence & the Machine. For sweetness with burning passion and hotness.
Easy As Life - Aida. Maybe if they feel like this all the time, they'll have to get back together again.
Hillside - Julie Crochetiere. For those moments they are just themselves, and want to take burdens off each other.
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