David Bowie Club
Join
Fanpop
New Post
Explore Fanpop
“Love You Till Tuesday;” Is the idea of the whimsy of young love which they are able to exploit as such a meaningful notion. However, the song suggests that even those proclaiming their love are not entirely devoted to the cause (as they think themselves to be), as the song rambles off to “be nice to the big blue sea” with no apparent relevance. It’s all an artful joke about the silliness of those who think they’re in love, even whilst accepting that their love will not last forever, and is not all-encompassing. Surely this admittance of fault in their love proves their love untrue? Or is this ability to accept an expiry date will come for their love merely a sign of their appreciation for and full understanding of their love? The songs end; “I might be able to stretch you till Wednesday,” however, suggests that this is not the case. It pokes fun at the idea of a love which can be catalogued and timed, whilst accepting that this kind of love is the harsh reality which we so often face.
I enjoyed the song’s playful tone, and found it a delightful commentary on the flippant and short-lived nature of modern love.
added by Ashley-Green
added by Ashley-Green
added by Ashley-Green
added by aleciane
Source: http://www.velvetgoldmine.it/
added by aleciane
Source: rollingstone.com
added by aleciane
Source: rollingstone.com
“The Gospel According to Tony Day;” Is an allegoric collection of different people’s schemas in approach to life as viewed by Bowie. It clearly displays the driving force which Bowie senses behind these collections of people in their approach to most things in life.
A somewhat restrained sound permeates the song, as it lacks the life and emotiveness which most of the CD contains. This track holds an intriguing view on society, but it lacks the force which is usually so effortlessly conveyed through and with Bowie’s other songs. On another level, however, it is powerful in that it realises...
continue reading...
added by Ashley-Green
Source: Tumblr - Raredeadly
posted by Ashley-Green
“Sell Me A Coat;” Shares elements of “Uncle Arthur,” as it gives a clear picture of Bowie’s purest voice, however the general tone and subject of the song is overall more sombre thanks to the introduction of a slower rhythm and dejected plaint from Bowie.
Introduced by the slow, sure intonation of “La la la la la,” “Sell Me A Coat” creates a bittersweet picture of Bowie’s loss of his “Summer girl.” Whether physical or purely metaphorical, this story, however peculiarly executed, certainly proved a foundation for some of Bowie’s later work; introducing his tendency to...
continue reading...
posted by Ashley-Green
“Uncle Arthur;” This buoyant melody, inspired by Bowie’s incredulity and subsequent interest in one of his friend’s confessions that they were not a twenty-year old musician, but a twenty-seven year old uncle is equipped with hand-clapping and a sweet, honest delivery by Bowie. With a touch of pointed mirth, this song proves itself a simple, catchy tune which seems to be laughing at Bowie’s own aspirations to fame. With a simple chord structure and range, its feel-good aura is contagiously fun. Personally, I immediately took a liking to the openness of Bowie’s voice in this song,...
continue reading...
added by Ashley-Green
Source: Tumblr - Raredeadly
added by Ashley-Green
added by Ashley-Green
added by Ashley-Green
added by Ashley-Green
added by Ashley-Green
added by Ashley-Green
added by Ashley-Green
added by Ashley-Green
added by Ashley-Green
Source: Flickr